Recently I have taken to tweeting my immediate reaction to albums as I listen to them, in their entirety, for the first time. I click play, let the album play through, and tweet. I haven't edited my tweets, just laid them out to read as an article as best they can.
Without further ado here are my tweets for: The Horrors - Skying
Just put the Horror's album on. Time for a first listen review!
The first track 'changing the rain' is appropriately named. It's piddling down out side. But? what are they going to change it into? The sleeve notes don't really help me understand this mysterious practice of 'changing rain'. I'm inclined to go with rainbows. Or snow. They seem like scientifically viable options. More realistic than changing rain into DVDs, for example.
First thoughts on the Album, 1 and 1/2 tracks in. I like it, the lyrics aren't easy to follow. The vocal is definitely part of the sound. Clearly audible lyrics aren't exactly being prioritised over the general atmosphere of the tracks. They blur into the greater sound. All the tracks so far have been trippy, and full bodied. Sort of like a hippy wine might be.
Track 3, I can see through you, the intro seemed a bit Human league.
Skying so far has a very cohesive sound. No stand out tracks on the album as yet. I'm guessing the horrors wished to produce a body of work. There is a clear sound and concept flowing through 'skying'. 'Endless Blue' is the first track to challenge the image of the others.
Endless Blue has a lethargic introduction; sharp contrast to cutting guitars and an abrupt change of energy which define the tracks' body.
'Dive in' was a bit of a dream to listen to. It lets your mind wander.
'Still Life' is playing now. The only track I've heard prior to this first play. The reverse effect on the guitar reminds me of this...The Velvet Underground Venus in Furs:http://www.youtube.com/watch?v=9nGsUbZpCKM&feature=fvst The Horrors track is much breezier. It feels a Brighter track.
Got to say, 'Still life' is a very arty name for a track.
The brass in the back ground, and the build up lend Still life an almost anthemic quality.
'Wild Eyed', the next track feels much darker. I'm finding it a difficult listen, but I can appreciate the way it is changing...
Its amazing how well the Album artwork summarises the sound of the album. A wash of interplaying colours distorting an idlic vision. This is the kind of album that plays havoc with Synesthesia. It's hard to explain but, like the album cover artwork, I cannot ascribe one colour to what I'm listening to.
'Moving further away' might be my favourite so far... Only 2 tracks left. Still time to change my mind.
'Monica Gems' seems out of sorts. Elements of it are superb, then others are leaving me really cold.
'Oceans Burning', has a very progressive rock start! Didn't see that coming! Stirring thoughts of Pink Floyd in my head (too far?).
4:30mins in to oceans burning. Didn't realise it was 7minutes long! Progressive was a good call!
Here's another word I'm yet to use and feel I should: Ambient. You can tell its indie as there was not super fast guitar solo, or double bass drums...
Its' all over now, so time for a few final judgements.
I think the drums may have let the album down a little. They were a bit same-y. Thin in places.
At the same time, if the drumming was more complicated, I'm not sure it would fit. Though, thats probably a moot point. I got a little bored of the echo vocals as well, despite being pleasantly surprised by cool hair sing-y man's voice.
Its definitely music to brighten up a darkened room. The tracks are full of atmosphere, and the album is worth some attention. It's not to everyones taste for sure. If you want to try it, I recommend you darken a room. Press play, and let your mind wander. Maybe whilst wearing retro clothes and studying 80s polaroids by the glow of your light up casio watch... Maybe.
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